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XXL celebrates 50 years of hip-hop with this second:
Feb. 9, 1993: Digable Planets have been amongst a brand new wave of rap artists integrating jazz and hip-hop into their repertoire. Thirty years in the past, on today, in 1993, the New York-based rap trio launched a visionary amalgam of jazz and hip-hop with their basic debut album, Reachin’ (A New Refutation of Time and House).
Digable Planets consists of Ishmael “Butterfly” Butler, Craig “Doodlebug” Irving and Mariana “Ladybug Mecca” Vieira (additionally DJ Jazzy Joyce who joined the group in 1994). The three artists met as college students at Howard College in Washington, D.C., and commenced growing their sound with poetry and music in 1991. After submitting demos to numerous file labels, they managed to safe a take care of Pendulum Information in 1992 and moved to Brooklyn, N.Y., to file their debut album.
Reachin’ arrived at a time when jazz sampling was customary in rap. The album, produced primarily by Butterfly, match completely with its cleverly-placed jazz samples over smoothed-out drum beats. The LP’s first single, “Rebirth of Slick (Cool Like Dat),” sampled “Stretching” by Artwork Blakey and the Jazz Messengers, and “Blow Your Head” by Fred Wesley and The JB’s. The tune’s easygoing groove and the trio’s slice-of-life rhymes have been a breath of recent air and the antithesis to gangsta rap that was dominating the style.
“Cool Like Dat” would earn Digable Planets a Grammy trophy for Greatest Rap Efficiency by a Duo or Group on March 1, 1994. Throughout their acceptance speech, Butler used the second to focus on society’s homelessness downside.
Reachin’ would go on to promote over 500,000 copies within the U.S. and peaked at No. 5 on the Billboard R&B/Hip-Hop Albums for the charting week of Feb. 27, 1993.
Within the 30 years since its launch, Digable Planets’ Reachin’ (A New Refutation of Time and House) has been celebrated as a basic album that introduced a revolutionary sound to hip-hop that was cool like that.
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