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Harry Types‘ “As It Was” rebounds from No. 2 for an eighth whole week at No. 1 on the Billboard Sizzling 100 songs chart.
In the meantime, Beyoncé‘s “Break My Soul” surges from No. 15 to No. 7 on the Sizzling 100, following its first full week of monitoring, marking her milestone twentieth high 10 as a soloist.
The Sizzling 100 blends all-genre U.S. streaming (official audio and official video), radio airplay and gross sales knowledge. All charts (dated July 9, 2022) will replace on Billboard.com tomorrow (July 6, a day later than normal because of the July 4 vacation within the U.S. yesterday). For all chart information, you may observe @billboard and @billboardcharts on each Twitter and Instagram.
“As It Was,” launched on Erskine/Columbia Information, tallied 77.1 million radio airplay viewers impressions (up 1%), 18.6 million streams (down 10%) and 5,000 downloads offered (down 14%) within the June 24-30 monitoring week, in accordance with Luminate.
The observe dips 2-3 after 4 weeks atop the Radio Songs chart; rises 9-7 on Streaming Songs after two weeks on the summit; and drops 7-8 on Digital Tune Gross sales, following every week in cost.
Notably, “Because it Was” scores its record-tying fourth distinct keep atop the Sizzling 100, after it debuted at No. 1 on the April 16 chart; led once more on April 30 and Could 7; and added 4 extra weeks on high on the charts dated June 4, 11, 18 and 25, forward of its return to No. 1 on the brand new, July 9, rating. (The songs which have interrupted its reign: Jack Harlow’s “First Class,” April 23 and Could 21 and 28; Future’s “Look ahead to U,” that includes Drake and Tems, Could 14; and Drake’s “Jimmy Cooks,” that includes 21 Savage, July 2.) “As It Was” is the fourth to log as many as 4 separate No. 1 stints, after Mariah Carey’s “All I Need for Christmas Is You” (2019-22), 24kGoldn’s “Temper,” that includes Iann Dior (2020-21), and Drake’s “Good for What” (2018).
“As It Was” concurrently crowns the Songs of the Summer time chart for a fifth week, because it has led the summery abstract, which tracks the highest titles between Memorial Day and Labor Day, every week for the reason that 2022 version started.
Jack Harlow’s “First Class” lifts 3-2 on the Sizzling 100, after, as famous above, three weeks at No. 1, because it notches a fourth week atop Radio Songs (85.5 million, up 4%). It provides a tenth week atop the Sizzling R&B/Hip-Hop Songs and Sizzling Rap Songs charts, which use the identical multi-metric methodology because the Sizzling 100.
Lizzo’s “About Rattling Time” jumps 5-3 for a brand new Sizzling 100 excessive, because it guidelines the multi-metric Sizzling R&B Songs chart for a seventh week. It additionally ascends to No. 1 on the Pop Airplay chart, the place Lizzo achieves her third chief, after “Good as Hell” (4 weeks at No. 1 starting in November 2019) and “Fact Hurts” (4, beginning that September).
Future’s “Look ahead to U,” that includes Drake and Tems, retains at No. 4 on the Sizzling 100, after every week at No. 1, and Drake’s personal “Jimmy Cooks” falls to No. 5 every week after it launched at No. 1, turning into his eleventh chief. Nonetheless, the latter claims a second week atop Streaming Songs, though with a 42% decline to 24.7 million streams. It plunges 9-47 on Digital Tune Gross sales (2,000, down 68%) and is down 13% to 2.6 million in radio attain.
Kate Bush’s 1985 basic “Working Up That Hill (A Deal With God)” rebounds 9-6 on the Sizzling 100, after reaching No. 4, fueled by its sync in Netflix’s Stranger Issues, because it logs a fourth week every atop the multi-metric Sizzling Rock & Different Songs, Sizzling Rock Songs and Sizzling Different Songs charts.
Beyoncé’s “Break My Soul” bursts 15-7 on the Sizzling 100, following its first full week of monitoring (June 24-30, after its arrival on Tidal at 9 p.m. ET June 20 and its huge launch three hours later). It soars 17-8 on Streaming Songs (16.6 million, after logging 14 million June 20-23) and enters Radio Songs at No. 28 (23 million, following 10.7 million in its first three-plus days), whereas falling to No. 4 on Digital Tune Gross sales after it opened at No. 1 (11,000, down from 22,000).
Beyoncé banks her landmark twentieth solo Sizzling 100 high 10 and first since Megan Thee Stallion’s “Savage,” on which she’s featured, turned her seventh No. 1 in Could 2020. Beyoncé notches her first high 10 in a lead function since “Formation” debuted and peaked at No. 10 in Could 2016.
Right here’s an up to date rundown of the elite 23 artists with 20 or extra Sizzling 100 high 10s, courting to the chart’s Aug. 4, 1958, inception:
Most Billboard Sizzling 100 Prime 10s:
- 58, Drake
- 38, Madonna
- 34, The Beatles
- 31, Rihanna
- 30, Michael Jackson
- 30, Taylor Swift
- 28, Elton John
- 28, Mariah Carey
- 28, Stevie Marvel
- 27, Janet Jackson
- 26, Justin Bieber
- 25, Elvis Presley (along with his profession having predated the Sizzling 100’s begin)
- 25, Lil Wayne
- 23, Whitney Houston
- 23, Paul McCartney
- 23, The Rolling Stones
- 22, Eminem
- 22, Jay-Z
- 20, Beyoncé
- 20, Chicago
- 20, Nicki Minaj
- 20, The Supremes
- 20, Ye
Beyoncé first appeared within the Sizzling 100’s high 10 as a soloist when Jay-Z’s “’03 Bonnie & Clyde,” on which she’s featured, rose 11-8 on the Dec. 7, 2002, tally.
In the meantime, Beyoncé now has twice as many high 10s as Future’s Baby, the group during which she broke by: the act notched 10 high 10s (together with 4 No. 1s) in 1998-2005.
Additionally impressively, Beyoncé joins choose firm amongst artists with a minimum of 20 solo high 10s and 10 as a member of a gaggle. The unique membership, of which she’s the primary feminine member: Paul McCartney, with 23 solo high 10s (together with his work with Wings), along with 34 with The Beatles; Michael Jackson, with 30 solo high 10s together with 11 as a member of the Jackson 5/Jacksons; and, now, Beyoncé (20 solo, 10 with Future’s Baby).
“Break My Soul” concurrently turns into Beyoncé’s first No. 1 on the multi-metric Sizzling Dance/Digital Songs chart (which started in 2013).
Additional, “Break My Soul,” the lead single from Beyoncé’s album Renaissance, due July 29, comprises parts of Robin S.’s home basic “Present Me Love,” co-written and -produced by Allen George and Fred McFarlane. The latter two skills obtain songwriting credit score on Beyoncé’s newest and rank within the Sizzling 100’s high 10 as writers for the primary time since “Present Me Love” hit No. 5 in June 1993.
Dangerous Bunny and Chencho Corleone’s “Me Porto Bonito” pushes 11-8 on the Sizzling 100, after hitting No. 7, because it tops the multi-metric Sizzling Latin Songs chart for a seventh week.
Glass Animals’ “Warmth Waves” rises 10-9 on the Sizzling 100, following 5 weeks at No. 1. It provides its 76th week on the chart, tying for the fifth-longest run within the checklist’s historical past (and is the one a type of hits to have ranked within the high 10 on the time of its 76th body).
Most Weeks Totaled on the Billboard Sizzling 100:
- 90, “Blinding Lights,” The Weeknd, No. 1 peak (for 4 weeks), starting April 4, 2020
- 87, “Radioactive,” Think about Dragons, No. 3, July 6, 2013
- 79, “Sail,” AWOLNATION, No. 17, Oct. 12, 2013
- 77, “Levitating,” Dua Lipa, No. 2, Could 22, 2021
- 76, “Warmth Waves,” Glass Animals, No. 1 (5 weeks), starting March 12, 2022
- 76, “I’m Yours,” Jason Mraz, No. 6, Sept. 20, 2008
Rounding out the Sizzling 100’s high 10, Joji’s “Glimpse of Us” backtracks to No. 10 from its No. 8 excessive. Nonetheless, the ballad flies by 208% to 1.8 million in radio airplay viewers (and enters Pop Airplay at No. 33).
Once more, for all chart information, you may observe @billboard and @billboardcharts on each Twitter and Instagram and all charts (dated July 9), together with the Sizzling 100 in its entirety, will refresh on Billboard.com tomorrow (July 6).
Luminate, the unbiased knowledge supplier to the Billboard charts, completes an exhaustive and thorough evaluation of all knowledge submissions utilized in compiling weekly chart rankings. Luminate evaluations and authenticates knowledge, eradicating any suspicious or unverifiable exercise utilizing established standards earlier than ultimate chart calculations are made and revealed. In partnership with Billboard, knowledge deemed suspicious and unverifiable is disqualified previous to ultimate calculations.
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