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We don’t get a complete lot of breaks submissions at YEDM anymore, however once we do it’s nice to see them from artists like Keith MacKenzie, a reputation synonymous with the rise of the Florida breaks scene within the 90s and 00s and one of many unique architects of progressive breaks full cease. He additionally occurs to be an enormous a part of this DnBoomer’s origin story, so when fellow OG Reid Velocity handed over Play Me‘s most up-to-date remix EP for her single with AIRGLO and Metric Man referred to as “The Spark” out this Friday, March 18…oh, the flashbacks she did induce!
That includes remixes from Russla & Peter Ashley, WAVHART, Wholio and DIELAHN, on The Spark (the Remixes), Ms. Velocity seeks not solely to open her stems as much as completely different genres however, except for MacKenzie, to offer a platform to comparatively new artists with a great deal of expertise. From the unique clean but deep ragga-infused combine she put along with fellow LA D&B virtuoso AIRGLO and with reggae vocal legend Metric Man spitting flawlessly over it, there have been loads of instructions through which remixers might select to go. The jazzy intro and overlay, the deep, grinding sub synths, the preliminary ameny snares, the rumbling vox it’s probably the most important problem with these stems was an excessive amount of good things.
All these choices is probably going why Reid Velocity selected to open “The Spark” as much as remixing: she knew she’d get an important selection, and certainly that’s the case. Russla & Peter Ashley’s remix is a quick, neuro-tinged grinder that celebrates Metric Man’s Lyrics and highlights the guitar work within the breaks, whereas WAVHART’s tune is a handy guide a rough dancefloor joint bordering on bounce up however nonetheless containing the unique observe’s soul and hearth. Wholio went oldschool 90s throwback with almost darkstep vibes and actually performed up the amens . DIELAHN, then again, transformed the observe to a cool halftime observe which is directly darkish, minimal, deep and ravey and takes benefit of the slower tempo to deliver some actual reggae vibes with Metric Man’s vox on the break. It appears the various choices right here produced a great deal of attention-grabbing remixes.
MacKenzie’s remix stands out not solely due to his identify and previous deeds however as a result of, regardless of D&B and breaks each being breakbeat in construction, it’s truly fairly troublesome to transform tempos there. Particularly with “The Spark” being a bit sooner than the common D&B, it’s probably MacKenzie needed to fully rework the beat. The recompression job for the vox was additionally probably a problem, however this producer with virtually 30 years within the recreation makes it look easy, together with his trademark progressive breaks and harmonizing synths grounding the observe whereas he takes all these kinds within the unique and makes them funky af. Including cinematic, 80s electro-style prospers and a cool groove to hyperlink vox to beat and make all of it breaks, this remix is definitely as complicated as the unique whereas additionally being clean and really, very Keith MacKenzie.
A variety of D&B heads within the US received into the style by way of breaks, and in locations like Florida, New York and Chicago, artists like Keith MacKenzie have been instrumental in morphing 120 into 140 and ultimately 174, inspiring artists like AK1200, DJ Dara and sure even Reid Velocity herself. With so many throwback vibes in “The Spark,” presumably a nod to 90s breaks even being A spark to Reid’s personal profession and MacKenzie making rumblings of a comeback these days, it stands to purpose that this remix EP ought to comprise a slice of the as soon as epic rave tradition that was Florida breaks. A historical past lesson couched in a contemporary observe with remixes trying to the longer term: nothing might be extra Play Me than that.
The Spark (the Remixes) drops this Friday, March 18 on Play Me Information. Click on right here to pre-order or pre-save.
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